Bereits zum Mal übernehmen wir auf Hippoevent alle von Helmut Brinkmann betreuten Fahrturniere, alle Informationen vor - superschnell und detaillierte. Turnierdaten unter expontomagazine.com Weitere Informationen erhalten Sie unter expontomagazine.com; Informationen organisatorischer Art vor Ort über Georg von Stein (Tel.
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Brinkmann does not build according to cost-optimizedmanufacturing processes; instead, Brinkmann is handmade. Prior to delivery, Helmut Brinkmann personally scrutinizes each and every component, making sure that every piece works and functions exactly as intended.
Only this level of rigorous quality control assures that components bearing our name will meet our — admittedly very high — standards.
Instead, our facilities utilize only the finest high-performance machines and tools available today, which allowfor precisionmanufacturing not possible only a few short years ago.
This level of precision is of utmost importance, as it allows us to build our components to the exact tolerances we have identified during painstaking listening sessions and product evaluations.
As we then begin to assemble each of the parts by hand as opposed tomassmanufacturing on an assembly line and turn them into amplifiers, tonearms and turntables, we can eliminate any compromises from the equation.
Through this process, we can leave assembly line optimizations to others and instead focus on optimal sound quality and perfect execution.
The longevity of our products is a direct result of our careful and complete attention to every tiny detail — after all, it is our and our customers' belief that once a Brinkmann component is made, it should ideally never return to our factory.
Naturally, such level of uncompromised performance can't come cheap — even though in absolute terms, the price we charge for our products can actually be considered somewhat of a bargain, especially considering their sonic qualities and manufacturing quality.
Ultimately, we vouch for this with our name; as we said earlier: behind Brinkmann the brand stands firmly!
Brinkmann the man. Mechanical engineering by Brinkmann, or the art of extracting colorful soundscapes from black vinyl. This is also especially true for Brinkmann.
Vinyl record playback is an exceedingly delicate and massively complex undertaking. The undulations in the record's groove are so miniscule that even loud music passages produce less than a millivolt of signal.
Most importantly, in addition to producing only tiny amounts of voltage, tracing these grooves produces all sorts of unwanted vibrations. These vibrations add a layer of noise over the already miniscule and fragile signal.
As good as the cartridge is at tracing groove undulations more or less accurately , it unfortunately also tends to convert all sorts of other external influencers such asmotor and bearing noise into electrical voltage as well.
This explains the most important requirements for proper playback:. All is easier said than done, however, precisely because the groove's undulations are so miniscule in size.
Brinkmann offers a complete lineup of analog playback equipment consisting of three turntables, two tonearms and one phono cartridge.
Alternatively, you can of course use components fromothermanufacturers. Consider, however, that at Brinkmann, each and every component is optimized to work in synergy, hence your mileage with other components may vary.
Put differently, at Brinkmann, the whole is greater than the sum of its parts. Brinkmann amplifiers and the secret of musically gifted electrons.
You are right: Brinkmann is a specialist for vinyl playback. Not only, however; as it turns out, even before designing his first turntable, Helmut Brinkmann already enjoyed a great reputation for his amplifiers.
Mechanical and electronic devices have a lot more in common than is commonly thought. On the one hand, because electronics play a vital role in our mechanical components theMOS-FET heating of the platter bearing or the sonic differences between our tubed and transistorized power supplies are just two instances of this relationship.
On the other hand, because resonances and other mechanical phenomena have a direct influence on the sound of an amplifier.
Put differently: in order to build a superior turntable, a designer must have a profound electronics know-how.
Vice versa, it sure helps the sound of an amplifier if its designer has some solid insights into mechanics as well. Perfect reproduction simply does not happen by accident.
Instead, it is the result of careful optimizations. Which, for instance, is why Brinkmann defines the optimal capacitance values not only by computer but also by ear.
But capacitors of different manufacturers also sound different. Therefore, Brinkmann spends a lot of time not only defining the optimal values by ear, but also the make and type of each capacitor.
The same goes for all other parts, resistors, printed circuit boards or solder. Remember: everything has an influence on the sound, hence everything has to be optimized by ear.
Listening to the sound of components led Brinkmann to the insight that industrial ceramics are detrimental to good sound. When the metal oxides are sintered, they develop a tendency to resonate that leads to distortions of themid and high frequencies.
Too bad we can not dispose of industrial ceramics entirely, because they are ubiquitous and found in all resistors, switches, potentiometers, tube sockets, and of course capacitors.
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